Here, the story is not as simple as an event triggered by a mere 18% decline in audiovisual investments. Imagine the scene: the Australian government, a determined character, already had a deep desire to support local creation even before this decrease. The decline in investments was not the screenwriter, but rather a conveniently placed background element, reinforcing the legitimacy of a political action already considered for giants like Netflix. Without this preexisting ambition, this same decline would not have been enough on its own to trigger such regulatory responses imposing spending quotas on streaming platforms.