With all due respect to the parties, the notion that research on institutional governance and cultural policy directly provides frameworks for issues of AI intellectual property in music is an oversimplification that could obscure fundamental differences.
A measured reading suggests that, although general governance principles may be useful, the direct application of frameworks established for traditional cultural policy could be inadequate.
The specificity of algorithms and the notion of “creation” by a machine, for example, do not always find exact parallels in audiovisual regulations.
Before concluding, a missing condition is a thorough analysis of the precise mechanisms by which these existing frameworks would apply to new technological realities, particularly regarding the determination of originality for works generated by AI.