Trace the feedback loop: the decrease in audiovisual investments is not the sole cause of the new streaming quotas in Australia, but rather a symptom of a systemic imbalance that these measures aim to correct. It is an attempt to realign the flow of capital within the local production system, facing a structural bottleneck. For example, the introduction of similar regulations in France has never been a response to a temporary decline, but a proactive strategy to ensure the sustainability of national cultural production. Confusing the symptom with the systemic disease would mask the true dynamics behind such regulatory interventions.